細川京佳Kyoka Hosokawa
Profileプロフィール
1999年長崎県出身。東京を拠点に活動。多摩美術大学大学院美術研究科博士前期課程 油画専攻 在籍中。
主な展示に「GEISAI＃22 and classic」(東京ビッグサイト、東京、2023)、「空の下のUMA」（相原中央公園、東京、2022）
「Wearing Headphones」（Hidari Zingaro / Kaikai Zingaro、東京、2023）
Born in Nagasaki and Based in Tokyo. 2022-present M.F.A Department Painting, Oil Painting Course, Tama Art University.
< Group Shows >
“GEISAI＃22 and classic” (Tokyo Big Sight, Tokyo, 2023) , “Unidentified Mysterious Arts under the sky” (Aihara Central Park, Tokyo, 2022)
Statementステイトメント
ワニを見た時、なんて無表情で無愛想な生き物なのだろうと思った。声をかけても見向きもせず、指一本動かさない。「なーんだ！ワニって全然動かない」と、少し残念な気持ちになった一方で「なんて美しい存在なのだろう」と思ってしまった。見えない領域、つまりワニの語りに惹きつけられた。ワニという生き物はミクロでマクロを語る、謎めく存在だったのだ…!
When I saw alligators, I thought “What a soulless and unsympathetic creature the crocodile is!” Even if I called out to them, they didn’t look at me, and never moved a finger. “What a letdown! Crocodiles NEVER move!” I was a little disappointed, on the other hand, I ended up feeling “what a beautiful existence. I was attracted to their invisible realm, in other words, their nonlinguistic transmitting. A creature, crocodile, is a mysterious and unknown existence that transmits microscopic content by macro.
When I saw alligators, I thought “What a soulless and unsympathetic creature the crocodile is!” Even if I called out to them, they didn’t look at me, and never moved a finger. “What a letdown! Crocodiles NEVER move!” I was a little disappointed, on the other hand, I ended up feeling “what a beautiful existence. I was attracted to their invisible realm, in other words, their nonlinguistic transmitting. A creature, crocodile, is a mysterious and unknown existence that transmits microscopic content by macro.
